John James Harwood – 1st Bishop of Sierra Leone, Owen Emeric Vidal (1819-1854)

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Commonly known as James Harwood (Irish, 1816-1872). Black and white and coloured chalks on paper applied to canvas. Signed Jas Harwood and dated 1852 (lower left). A further inscription on the back of the canvas reads: No. 3 – J. Harwood F. Housed in its original frame. Exhibited: R.A. 1853. No.945. Portrait in crayons of the Bishop of Sierra Leone (Owen Emeric Vidal).

Drawing: 23 3/4 x 19 7/8 in. (60.3 x 50.5 cm).
Frame: 26 3/4 x 22 3/4 in. (68 x 57.8 cm).

Condition: The paper has discoloured, and the frame has been bronzed, ‘overpainted’, otherwise the picture itself is in good condition.

Description

Owen Emeric Vidal (1819-1854)

This portrait is very possibly the only existing portrait of Owen Emeric Vidal, taken in the year 1852 when he was appointed the first Bishop of Sierra Leone, aged 33. The ceremony took place on Whit Sunday, May 1852, in Lambeth Palace. The Archbishop of Canterbury was assisted by the Bishops of London, Chichester, Oxford, and Cape Town, the sermon was preached by the Lord Bishop of London. He was the first Anglican Bishop in West Africa and, like his father, a gifted linguist. He knew Tamil, Malay and Yoruba. Unfortunately, he died at sea, 48 hours before his return to Sierra Leone, having been out visiting churches in Yoruba, on or about the 23rd December 1854, and was buried at Freetown on 27 December 1855.

Vidal married in 1852 Ann Adelaide Hoare, the fourth daughter of the Rev. Henry Hoare, vicar of Framfield.

The Times, Friday, Feb 09, 1855, wrote: That Dr. Vidal possessed eminent abilities is most certain, or he would not have been consecrated a bishop at the early age of 33. His death is greatly deplored, and his loss will be severely felt by the church at Sierra Leone, which is only now in its infancy. It is said, in a letter before us, that thousands of all classes attended his funeral, demonstrating at once that he had been a highly revered and popular man in Sierra Leone.

The diocese of Sierra Leone comprised of all British possessions on the west coast of Africa, between the 20th degree of north and the 20th degree of south latitude, and more especially the colonies of Sierra Leone, the Gambia, and the Gold Coast. He resided at the Christian Institution, Fourah Bay, near Freetown, Sierra Leone.

His father Emeric Essex Vidal. R.N. 1791-1861 was a gifted watercolourist and his mother Anna Jane Capper, was the daughter of the Rev. James Capper, born at East Hampstead. Owen was educated at St Paul’s School, Southsea. He matriculated at St John’s College, Cambridge, in 1838, where he graduated B.A. in 1842, and M.A. in 1845; he was awarded a D.D. (Doctor of Divinity) in 1852. Ordained deacon in March 1843, Vidal was ordained priest in December of the same year. He was Vicar of Holy Trinity, Upper Dicker until his elevation to the episcopate

Upper Dicker, Holy Trinity Church, East Sussex.

A memorial to Rev Vidal, the first vicar of Upper Dicker is set upon the north wall of the nave. In rather florid verse it remembers Vidal in these words;

‘To commemorate the virtues of one whose life adorned the doctrine of God his Saviour in all things: here for a few brief years: afterwards as an Apostle of the Gentiles, beneath the burning skies of Africa: A few sorrowing friends, rather as an expression of their own respect than as an adequate memorial of his worth — since his best and truest record is on high — erect this humble tablet.’

Brand

Harwood, John James. (1816-1872)

Irish painter of portraits, genre and historical subjects. Born in Clonmell, he appears to have studied in Italy; but was following his profession in Clonmell in 1836. He was in London in 1839, and in Bath 1841-4. For the rest of his life he lived in London, visiting Ireland occasionally. Exhibited: London 1839-1871, mostly portraits: At the RA 1840-71, 51., BI 18., SS 16., VE 6. And at the RHA in 1836, 1842, 1844, 1847-8, 1850, 1853, 1856, 1858. Examples of his work ‘Francesca and Paolo of Rimini’, 1853, and ‘Children Feeding the Birds’, 1845. The National Gallery of Ireland has two portraits by him, ‘Field-Marshal Gough’, 1851 and ‘Samuel Lover’, 1856.